The MART Collections, established in 1987 from the art collections of the Province and the Municipalities of Trento and Rovereto, have been enriched over the years thanks to deposits from private collectors and foundations. In the rooms on the first floor of the building designed by Mario Botta, a selection of this heritage consisting of some 20,000 works, where Italian art is the protagonist, can be seen.
The exhibition begins with the red rooms of Fragments of a History, a section dedicated to the Collections once exhibited in the museum’s first location, the Renaissance Palazzo delle Albere in Trento.
In the white rooms, on the other hand, the story of The Invention of the Modern unfolds, from Medardo Rosso to the Divisionists, from Futurism to abstract art, passing through the protagonists of Metaphysics, the Italian Novecento and Magic Realism.

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Medardo Rosso

Bambino ebreo, 1892

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Umberto Boccioni

Nudo di spalle (Controluce), 1909

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Carlo CarrĂ 

Le figlie di Loth, 1919

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Carlo CarrĂ 

Composizione TA (Natura morta metafisica), 1916 – 1918

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Arturo Martini

Il poeta Cechov, 1921-1922

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Marino Marini

Pugile, 1933

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Giorgio de Chirico

Autoritratto con la madre, 1922

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Cagnaccio di San Pietro

Ritratto della signora Wighi, 1930-1936

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Arturo Martini

Donna al sole, 1930

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Marino Marini

Pugile, 1933

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Mario Sironi

Il povero pescatore, 1924-1925

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Marino Marini

Pugile, 1933

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Alberto Savinio

Ritratto di Waldemar George, 1929

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Giorgio De Chirico

La matinée angoissante, 1912

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Giorgio de Chirico

Due figure mitologiche (Nus antiques, Composizione mitologica), 1927

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Massimo Campigli

Figure (Donne sul terrazzo, Biografia), 1931

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Carlo CarrĂ 

Ciò che mi ha detto il tram, 1911

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Gino Severini

Ritratto di Madame M.S., (1913-1915)

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Giacomo Balla

Linee forze di paesaggio + giardino, 1918

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Tullio Crali

Le forze della curva, 1930

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Renato Di Bosso

Spiralando sull’Arena di Verona, 1935

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Fortunato Depero

Movimento d’uccello, 1916

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Manlio Rho

Composizione, 1936

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Fausto Melotti

Contrappunto domestico, 1973

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Fausto Melotti

Scultura n. 23, 1935

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